Lil Wayne - Tha Carter 4 (Full Album) (Deluxe Edition) Lil Wayne - Tha Carter 4 (Full Album) (Deluxe Edition) Lil Wayne - Tha Carter 4 (Full Album) (Deluxe E. Skip navigation Sign in.
An interesting story came out as Lil Wayne’s Tha Carter IV leaked to the Internet five days early. Special guest Busta Rhymes, being interviewed from his tour bus, had not even heard the leak within those first 48, and seemed fascinated to hear that Bun B, Nas, and Shyne were also on his track. Skylanders swap force wii iso ntsc games. This was in spite of the his line “Tunechi, thanks for giving us a whole 'nother classic with Tha Carter IV” the album's final words, delivered by Busta during the “Outro,” one of two tracks on which Wayne doesn’t even appear. Busta’s mix of excitement and confusion perfectly captures this album’s magic in that there’s an electricity in the air here, one so attractive that you don’t care about what’s missing, so don’t hold this up next to Tha Carter II or III because you just might miss a grand Jay-Z diss (“Talkin' about baby money, I got your baby money/ Kidnap your bitch, get that how much you love your lady money”) while considering the differences. If II and III were the arguable masterpieces, this one is less convincing, but it is a solid, above average hip-hop album that would be in held high and wide regard if it carried any other name. Wayne seems to address this new, sometimes B+ era with “Some of us are lovers/Most of y’all are haters/But I put up a wall/And they just wallpaper” on “Blunt Blowing,” a track which is Young Money’s seductive and flossy version of the blues. Funworld homework program. If dazzling rhetoric and shameless bombast is what grabs his audience, it absolutely overflows during the album’s unstoppable first quarter, which boils over when the short blue mobster called “Megaman” shoots forth “Life is shorter than Bushwick.” The totally T-Pain track “How to Hate” is the album’s first speedbump, and Wayne remains a guest on his own album as Tech N9ne and Rick Ross dominate the following cuts, but the uncontroversial “Abortion” (“I know your name, your name is unimportant/We in the belly of the beast, and she thinkin’ of abortion”) puts the spotlight back on Weezy. After John Legend adds some purposeful polish, it’s all smooth sailing plus with those high Carter standards, bouncing between tracks fans can singalong and connect with (the pure and simple “How to Love”) or marvel at (“It’s Good” where Jay-Z diss meets Alan Parsons sample). In the end, Busta’s pre-cog declaration of “classic” is the download generation’s more “in the moment” definition of the word, and it is fittingly delivered while the venerated Wizard Weezy is out the door and off the track in that “pay no mind to that man behind the curtain” style. On Tha Carter IV, Wayne’s world feels more like a dream than reality, but the loyal subjects of Young Money get a wild ride and the great feeling of flashing those ruby slippers one more time.
Sample | Title/Composer | Performer | Time | Stream |
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1 | 02:52 | |||
2 | 05:12 | |||
3 | 03:18 | |||
4 | 04:08 | |||
5 | 04:41 | |||
6 | 05:05 | |||
7 | 04:38 | |||
8 | 02:01 | |||
9 | 04:46 | |||
10 | 03:43 | |||
11 | 03:52 | |||
12 | 04:00 | |||
13 | 04:15 | |||
14 | 04:01 | |||
15 | 03:52 |
The Carter 4 Full Album
blue highlight denotes track pick 'Still the motherfuckin' best rapper a-live,' Lil Wayne offhandedly declares on 'Dope New Gospel,' a coasting track on which the unmistakable MC also insists that he's irreplaceable, even in death. Claiming supremacy while considering mortality has long been as natural as walking while chewing gum for Dwayne Carter, but there's a greater, grimmer sense across the long-anticipated Carter V that life is just a moment. Wayne's mother sets the tone with a spoken intro that verges on eulogistic, and through her tears somehow leaves the impression that even she is ever so slightly exasperated about the setbacks and protracted delays that plagued the fifth Carter after her son publicized its imminence in 2012. A multitude of personal and professional obstacles, occasionally poignant featured appearances, and mixtapes and intervening albums of diminishing quality, were packed into the six years that passed since the fifth Carter volume was promised. The series finale nonetheless arrives with an undue weight of expectation -- its maker already has a proven and immense catalog that includes ten Top Ten solo LPs -- and has some burdensome qualities itself. Almost 90 minutes in length, it's pieced together with material recorded from years to weeks ahead of release, and one cut goes back to resemble an early-2000s crossover bid, from its smoothly melodic Mannie Fresh production to its Ashanti hook. Trapcode particular 2 for cs3. A greater portion forms a sluggish, indistinct mass. Moreover, Wayne is often in a mode of mechanical recklessness, dropping to the lowest point on 'Open Safe,' a felonious fantasy wherein the protagonist boasts of coaxing information from a woman by 'stick[ing] her hands in the fan blades.' Derogatory terms fly there and elsewhere, contradicting Wayne's proclamation of growth, whether he was referring to artistic or human development. Alternately, there are touching rhymes regarding parenthood, and the moments of romantic heartache and inner conflict -- especially the cathartic last verse of 'Let It All Work Out,' concerning his attempted childhood suicide -- have instant and lasting resonance. He's also still inspired enough to match wits with Kendrick Lamar (on the suspenseful, bewildering 'Mona Lisa') and dash off cunning wordplay like 'You a roughneck, I'm a cutthroat' (over a Swizz Beatz recycling of the Ez Elpee news-flash beat he joked about disliking the first time he used it). For all the excess and buildup, this exhibits Wayne on an upswing, lucid and invigorated.
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Sample | Title/Composer | Performer | Time |
---|---|---|---|
1 | 02:00 | ||
2 | Dwayne Carter / Ben Diehl / Jahseh Onfroy / Eugene Karavasilidis / LunchMoney Lewis | 04:09 | |
3 | Dwayne Carter / Michael Dean / Tauheed Epps / Manny Galvez / Joshua Luellen / Adolfo Ramirez / Corbin Roe / Willber Vincent | 03:07 | |
4 | Dwayne Carter / Avery Chambliss / Kasseem Dean / Lamont Dozier / Brian Holland / Eddie Holland | 03:14 | |
5 | Dwayne Carter / Rupert Thomas, Jr. / Michael Suski / Jacques Webster | 03:06 | |
6 | Dwayne Carter / Ben Diehl / LunchMoney Lewis / Thomas Troelsen | 03:13 | |
7 | Dwayne Carter / Jonah Christian / Onika Maraj / Jamal Reid | 04:02 | |
8 | Angel Aponte / Dwayne Carter / Kendrick Lamar / Marco Rodriguez | 05:24 | |
9 | Louis Bell / Dwayne Carter / Justin Franks / John Mitchell / Jahkoy Palmer / Jermaine Preyan / Billy Walsh | 03:36 | |
10 | 04:29 | ||
11 | Sam Bruno / Dwayne Carter / Reginae Carter / Lasanna Harris / Shama Joseph | 04:02 | |
12 | 03:25 | ||
13 | Brian Anthony Bailey / Ricardo Brown / Dwayne Carter / Darius Ginn / Nathaniel Hale / Isaac Hayes / Mario Jefferson / Craig Longmiles / Andre Young | 03:25 | |
14 | Tasha Baxter / Dwayne Carter / Robert Gonzalez / Taquari 'TQ' Hatch / Torrence Hatch / Andrew Jones / Maurice Jordan / Andre Scheepers | 03:43 | |
15 | Dwayne Carter / Tony Walker, Jr. / Stephen M. McDowell | 04:22 | |
16 | 03:43 | ||
17 | James Avery / Dwayne Carter / Ashanti Douglas / Tony Fisher / Jermaine Preyan / Robert Reed / Byron Thomas | 04:40 | |
18 | Dwayne Carter / Ben Daniels / Leo Daniels / Rayshon Cobbs Jr. / Ted Kay / Andre Lyon / Don Taylor / Marcello Valenzano | 03:34 | |
19 | 03:32 | ||
20 | Richard Brownie / Dwayne Carter / Darius Ginn / Nivea Hamilton / Mario Jefferson / Marvin Sapp | 03:27 | |
21 | 04:09 | ||
22 | Dwayne Carter / Mejdi Rhars / Marco Rodriguez / Leland Wayne | 04:00 | |
23 | Dwayne Carter / Jordan Alexander Johnson / Sampha Sisay / Myles William | 05:16 |
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